James Hunter’s recent series of abstract works share attributes with the genera 'surrealist automatism', in that they have no conscious compositional or pictorial outcome. Painting with enamel and acrylic, each contribution to the canvas informs the next, giving a sense of growth and expansion from an undefinable core. Hunter states that this group of paintings were born out of the need for a ‘lack of process’ - “I try to empty my mind. I don't want to know what's going to happen on the canvas. I start somewhere, then every subsequent mark is a response to what I see.”
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