ANY QUESTIONS?
FEEL FREE TO CALL US
020 3397 3676
JEFF KOONS | INVESTING IN ART
Jeff Koons is thought to be the most commercially successful living artist in the world. He is also one of the most controversial and contentious; yet conversely is lauded by dealers and collectors for his major contribution to contemporary art history.
 
Considered the ‘king of kitsch’ by naysayers and not beloved of art critics, sales of his pieces have beaten their own world records for the most expensive work by any living artist.
Best known for his metal sculptures of balloon dogs and everyday objects, Jeff Koons takes industrially-made articles, strips them of their practical use and re-presents them as art icons. He plays with themes of banality, mass-appeal and commerce with arguably greater showmanship, and on a grander scale, than any artist before him.

Koons is a master of spectacle. He takes inspiration from things you might find at a yard sale; inflatable plastic toys, vacuum cleaners, porcelain trinkets - and monumentally devolves them using the visual language of advertising, marketing, and the entertainment industry. He has in the past, also shocked with grandiose pornographic statements created with his former wife, Ilona Staller aka Cicciolina, the Hungarian-Italian porn star and politician.He flaunts superficies, exalts the mundane and applauds the ridiculousness of consumer culture which rewards him back with an insatiable appetite for his works which have made beyond $58million at auction.
Jeff Koons

Loopy , 2000

86(w) x 61(h) cm
33.86(w) x 24.02(h) inches
High Gloss Fujiflex print

This is a secondary market edition. Price is indicative and subject to the condition.

All image rights reserved by Jeff Koons

Edition of 1000
PRICE
£ 5,000.00
Available from a private collection
COLLECT NOW
 
 
  THANK YOU FOR MAKING AN OFFER  
  YOU WILL RECEIVE AN EMAIL SHORTLY WITH A COPY OF YOUR OFFER  
 
X | CLOSE
MAKE AN OFFER
 
ART TRENDS ADVISOR
RANKED ON OUR MOST POPULAR ARTWORK TRENDS LIST AS
92
#
Increase IN PRICE SINCE RELEASE
+809 %
SEE MORE ART TRENDS HERE
Within the art world, Koons’ is said to be a neo-pop or post-Pop artist, a trailblazer for a trend that surfaced in the 1980s as a reaction to the minimalist and conceptualist art favoured before it. With his own stated artistic intention to “communicate with the masses,” Koons was among the first American artists to cast himself as a ‘populist’ and his message resonated hugely with audiences jaded by perceived art world snobbery. His outspoken distaste for abstract art and his embrace of bad taste paradoxically won over the most discerning and ostensibly elitist audiences.

But how were we won over when Koons openly rejects the notion of any hidden meaning or irony in his artwork? When you see one of his pieces in the flesh, especially in the beautifully curated context of for instance, the Whitney Museum’s massive 2014 Koons retrospective, it overwhelms you with its size, presence and most strikingly, its depthlessness. It’s esteemed bling, but it’s Jeff Koons bling with his identity in every curious, whimsical object. Whether it’s the massive, shining titanium balloon animals of the ‘Celebration’ series or the pristine porcelain statuary of Michael Jackson and his pet monkey, Bubbles, Koons’s works are immediately recognizable, even if their sincerity remains unclear.

What is profound is how heavily involved in the making of his art Jeff Koons actually is. A technologist as much as he is an artist, even if he doesn’t have a hand in the physical making of his works, he is personally responsible for the development of multiple cutting-edge fabrication techniques. For every finished piece, standing in glorious perfection in the middle of a gallerist’s white cube or on the wall of a collector’s penthouse apartment, like with every invention, you can be sure there were a dozen failures along the way but he’s never been deterred. With his Gorilla piece, he successfully recreated the texture and feeling of a cheap wax toy, in solid granite, and at an awesome scale, yet most of his endeavours have been follybecause for nearly his entire career Koons’s perfectionism has caused him to lose money on many, if not most, of the pieces he sells.
Jeff Koons

Hair , 2000

61(w) x 86(h) cm
24.02(w) x 33.86(h) inches
High Gloss Fujiflex print

This is a secondary market edition. Price is indicative and subject to the condition.

All image rights reserved by Jeff Koons

Edition of 1000
PRICE
£ 5,000.00
Available from a private collection
COLLECT NOW
 
 
  THANK YOU FOR MAKING AN OFFER  
  YOU WILL RECEIVE AN EMAIL SHORTLY WITH A COPY OF YOUR OFFER  
 
X | CLOSE
MAKE AN OFFER
 
ART TRENDS ADVISOR
Increase IN PRICE SINCE RELEASE
+809 %
SEE MORE ART TRENDS HERE
Maybe this has been strangely intentional, because the artist, the impresario, wants to make you surrender your critical distance and marvel at the simple truth, that is, the awe-inspiring workmanship. Taking in the shiny surfaces of the massive sculptures in the Celebration series - the Balloon Dog, say - and you won’t see a single seam or any visible evidence of how the piece was made. Look at the bronze and aluminium copies of blow-up toys, and you’ll swear you could just pop them with a pair of scissors. Koons’ feats of engineering are among the very best the art world has ever seen, precisely because of his incredible level of perfectionism. No one has done anything like his works before him, because the technology didn’t exist, and because the sums of money involved in creating such things are beyond outrageous.

In 2000, Eyestorm exclusively published a series of limited edition prints with Koons titled Cut Out, Loopy and Hair, and they were taken from the artist's 1999 collection of paintings collectively entitled 'Easyfun'. Intricate in design and unreservedly optimistic, the 'Easyfun' paintings marked Jeff Koons' return to exhibiting after several years of closely guarded activity in his studio. The paintings that these editions are based on are so large and complicated that Koons required a team of 40 assistants to complete them. Whilst the coveted editions sold at Eyestorm very quickly at the beginning of the new millennium, a number of them are available by way of private collectors.
Jeff Koons

Cut Out , 2000

61(w) x 86(h) cm
24.02(w) x 33.86(h) inches
High Gloss Fujiflex print

This is a secondary market edition. Price is indicative and subject to the condition.

All image rights reserved by Jeff Koons

Edition of 1000
PRICE
£ 5,000.00
Available from a private collection
COLLECT NOW
 
 
  THANK YOU FOR MAKING AN OFFER  
  YOU WILL RECEIVE AN EMAIL SHORTLY WITH A COPY OF YOUR OFFER  
 
X | CLOSE
MAKE AN OFFER
 
ART TRENDS ADVISOR
Increase IN PRICE SINCE RELEASE
+809 %
SEE MORE ART TRENDS HERE
Koons’s art might be vacant, it might be trite, but the artist does something very interesting, he looks to turn money into art over and above turning art into money. On a social level his legacy is even greater as he’s the defender, the liberator, of everyday taste. Whatever you like, Koons is telling us, is okay. Over his 30-year career this notion has challenged top collectors and public art museums to revise their notions of what fine art looks like which has been a brilliant marketing strategy as well as an evident turning point in art history. The art of Jeff Koons is both utterly indefensible and utterly compelling as his total embrace of emptiness creates work that is accidently profound, precisely because of all its internal contradictions - and this, it appears is actually something we’re all quite grateful for.

You can see the three print editions from 2000, Cut Out, Loopy and Hair, at Jeff Koons artist page, found here
 
RECENT NEWS ARTICLES
January 5th 2018
Last year was busy year for Chinese artist Jacky Tsai and maybe not surprisingly. With the release of three print editions, the opening of two solo shows in Los Angeles and Hong Kong - and a couple of big projects in between, the stage was set for a successful 2017. We went to see Jacky Tsai in his studio on the first day of the new year.
December 26th 2017
“A city without graffiti is a dead city” and so is the mantra for the man whom street artists and fans call André, Monsieur A, Mr A or Monsieur André. His iconic personal tag of a round-headed cartoon with a devilish grin, top hat and winking eye established him as a breakthrough artist at a time when the alphabet provided the basis of most graffiti art.
NEWS FROM EYESTORM
by Henrik Riis
INVESTING IN ART
by Carys Lake-edwards
June 29th 2018
In our fast-paced, ever-changing world, where it seems we can barely keep up with the rapid development of technology, Jacky Tsai, an artist whose work juxtaposes the old and new, past and present, east and west, quite aptly explores the theme of AI technology in his new lenticular print edition - Artificial Intelligence.
£ 6,600.00
DO YOU HAVE A DAMIEN HIRST TO SELL?
Valium
With two major exhibitions during the Venice Biennale, 2017 has been a year which has increased the awareness of Damien Hirst. With Hirst still actively releasing new print editions, many collectors focus on his earlier work from 2000 and before, such as Valium, Lysergic Acid Diethylamide (LSD), Opium, Beautiful, Galactic, Exploding Screenprint (Spin) and Painting-by-Numbers.

If you have one of the above prints that you are potentially interested in selling, please do get in touch with us via the Contact page, which you can find here.
 
SELECTED BY
 
READ MORE
 
 
 
   
   
 
X | CLOSE
OUR NEWSLETTER
Sign up to our newsletter and receive our weekly news about the artworld
‘Blue Grass’ is a colourful and energetic screenprint edition released earlier this year in collaboration with Dani… https://t.co/flBN8GbiMC
A 'NY Cityscape Stamp' (2016) print by Jacky Tsai has been sold at a Chinese charity auction at a new price record… https://t.co/b6oLHzGBby
CUSTOMER SUPPORT
Mon-Fri: 4.30am-1:00pm [EST]
US
United States
1-800-570-6740
Mon-Fri: 9.30am-6:00pm [GMT]
US
Europe
+44 (0)20 3397 3676
Mon-Fri: 9.30am-6:00pm [GMT]
US
Rest of the World
+44 20 3397 3676
 
 
SHARE
SHIPPING TO COUNTRY
United Kingdom
 
PAYMENT METHODS
 

CONTEMPORARY ART IN YOUR LIFE

(c) 1999-2017 Eyestorm Artica Worldwide Ltd.

The artworld delivered to your inbox