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Pink Sloe, 2016

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Henrik Simonsen

Pink Sloe, 2016


75(w) x 75(h) cm
29.53(w) x 29.53(h) inches
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INFORMATION
7 colour screenprint on Somerset 410 gsm paper

Image size: 65 x 65 cm

Edition of 60
PRICE (INCL. VAT)
£ 550.00
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Price of artwork and Shipping Fee are dependent on country of delivery. Shipping fee to United Kingdom is £ 25.00 . [change country here]
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Henrik Simonsen Biography

Arresting and mysterious, Henrik Simonsen's paintings of nature are obsessively accurate in form yet almost abstract in composition and hue. Depicting each fine blade of grass, delicate leaf and spindly twig within their natural habitat, they are a surreal fusion between landscape and Dutch floral still life. The significance of colour in Simonsen’s work is undeniable. Often abandoning realism in his pallet, he creates strong contrasts which allow the luminosity of the paint to sing on the canvas, at times giving the feel of a solorized photograph or alien atmosphere.

Simonsen's obsession for flora and fauna is attributed to his Scandinavian roots due to the region’s long standing tradition for art, design and architecture inspired by natural forms. He is also fascinated by elements of the French 'Rococo' style, especially its lack of structure, and the way it embraced the bizarre and beautiful, opulently celebrating the organic and the sensuous. This influence can be seen in works such as tapestry (2008) & inbetween (2008) where he uses repetitive motifs resembling those found in the period.

Inspired by the stories of his compatriot, Hans Christian Andersen, Simonsen interweaves dark and humerus elements of fairytale onto particular works. Innocently beautiful depictions of Hemlock, Henbane and Black Berry, are dressed with name tags resembling gift cards or the 'eat me' 'drink me' labels of Alice in Wonderland. A dangerous distraction to their true poisonous, psychoactive and thorny motives. Rather than serving as illustrations, the paintings borrow from Andersen’s tales to subtly hint at the prevailing folly of the human condition. “For me personally the draw of the subject matter is its inexhaustible richness and metaphorical ability to speak of human existence. Of life, passion and the brevity of existence.”

Each painting begins with what Simonsen feels is the most important part of his process, freehand drawings which he works and reworks. “The attraction to drawing stems from the directness of the mark making process and the simple, yet magical way lines on a surface create shapes and forms.” Creating the work is an organic process itself; the elements and materials ‘grow’ onto the canvas by splashing, pouring and brushing the paint in layers. Nothing is erased and the fine monochrome lines of graphite from the original drawing contrast with with the bolder hues and textures of the oils. This visible history is important, as Simonsen feels it gives the painting a sense of having occupied a period in time.

Born in Denmark in 1974, Simonsen studied art in his native country before spending two years studying in New York and then at Exeter College of Art and Design. He has exhibited his work in group shows throughout the UK, in America and in his native Denmark. He has shown his work alongside his collage peers Dan Baldwin and Antony Micallef. He was invited along with artists such as Carl Andre, Anthony Gormley and Gerard Richter to create a unique piece for the permanent collection of SONS museum in Belgium’s. He currently lives and works in Berlin, Germany.


Read our series of articles
on 'Investing in Art' here
 
OTHER WORKS BY THIS ARTIST
 
NEWS ARTICLES
ABOUT THIS ARTIST
January 6th 2017
Henrik Simonsen’s most recent screenprint edition Yellow Light sees the artist use spring-inspired colours in this uplifting new piece, with mid blues, purples and pinks set against a vibrant yellow backdrop.
January 14th 2014
In between making his stunning limited edition screenprints, popular Eyestorm artist Henrik Simonsen works hard painting original canvases in his Berlin studio, which he exhibits all over the world.
March 31st 2017
Featuring a single tree with butterflies for leaves, Danish artist Henrik Simonsen’s new print edition ‘Blue Butterflies’ displays a rich colour palette of silvery gold tones with a range of crisp blues.
November 25th 2016
Henrik Simonsen’s recent painting ‘Plant Battle’ is inspired by a garden he created as a child at his family home in Denmark. Until now Eyestorm has solely exhibited his limited editions and his first exclusive Eyestorm screenprint, Blue and Orange, was released in 2011, marking the first of eleven more which were to follow over the next five years.
RECENT NEWS ARTICLES
April 21st 2017
From her darkroom on Dartmoor in Devonshire, this precisionist, recorder of light and self-proclaimed colourist, successfully traps and documents the colours present in rays of light.
April 14th 2017
Jacky Tsai’s new editions ‘The Revival’, an edition of 60, and ‘Golden Revival’, an edition of just 18 with hand-applied gold leafing, replicate the format of a fan to reference traditional Chinese art.
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This week's Investing in Art article gives an insight into #JoBradford's innovative cameraless photography. Read at… https://t.co/kJugN8FPkz
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