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Orangeola, 2016

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James Hunter

Orangeola, 2016


92(w) x 71(h) cm
36.42(w) x 28.15(h) inches
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INFORMATION
11-colour screen print on Somerset Satin 410gsm paper with hand torn edge

Edition of 50
PRICE (INCL. VAT)
£ 650.00
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Price of artwork and Shipping Fee are dependent on country of delivery. Shipping fee to United Kingdom is £ 25.00 . [change country here]
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James Hunter Biography

James Hunter’s recent series of abstract works share attributes with the genera 'surrealist automatism', in that they have no conscious compositional or pictorial outcome. Painting with enamel and acrylic, each contribution to the canvas informs the next, giving a sense of growth and expansion from an undefinable core. Hunter states that this group of paintings were born out of the need for a ‘lack of process’ - “I try to empty my mind. I don't want to know what's going to happen on the canvas. I start somewhere, then every subsequent mark is a response to what I see.”

This freedom of process is tempered with purposeful confident mark making and a clean graphic aesthetic. In pleasant opposition to the chaos of the image his works are presented in a uniform format, using the same colour palette, canvases of exactly the same size and the same portrait orientation. By first giving himself the parameters of his tools he is then able to enjoy the unexpected outcomes of working instinctively.

The result of his honest and playful journey are cumulonimbus of colour from which an infinite number of recognisable forms emerge. Panting dogs, computer game characters and fractured faces can be constructed from the jigsaw like components. The accents and highlights in works such as Fiesta Gitana give a sense of movement, as if they were shaking or dancing. Jackanapes, an old word meaning a cheeky impertinent person or a tame monkey, seems to live up to its title vibrating with giddy energy. The use of block of colour to segregating the canvas in works such as City of Haarlem and Ostara create a fictional coastline or municipal border on which lay what look like Dr Seuss landscapes meets google map cities. The entertaining joyful nature of these pieces coupled with their high quality finish, perfectly displayed in identical box frames which he prepares and finishes himself, illustrate why this young and exacting artist will continue to be well received.

Born in Preston, Lancashire in 1987, Hunter studied BA (hons) in Fine Art at Leeds Metropolitan University where he made painting and performance work collaboratively with his twin brother Anthony, achieving 1st class honours. He was then employed by Damian Hirst both as a performance artist and as a fabricator. He continues to explore his painting which has been shown internationally including New York City, Stockholm, Singapore and London. He now lives and works in Liverpool.


Read our article on James Hunter and 'Investing in Art' here
 
OTHER WORKS BY THIS ARTIST
 
NEWS ARTICLES
ABOUT THIS ARTIST
September 30th 2016
Orangeola is our third limited edition screenprint by British artist James Hunter. Find out more about the new print edition below. There’s something very playful about Preston-based artist James Hunter’s most recent print Orangeola.
April 25th 2014
This week we’re pleased to be presenting a series of 2014 paintings by James Hunter, made exclusively for Eyestorm. Angie talks about the work below. I can’t believe we’re nearly at the end of April, but spring is now upon us here in London so it’s all good.
November 11th 2016
James Hunter’s work falls into the genre of ‘automotive painting’, a practice first used by Surrealist artists and poets to express the creative force of the Unconscious in art.
November 20th 2015
Those familiar with James Hunter’s work will be aware that the process involved in making it is somewhat subconscious, in that the artist doesn’t have a preconceived idea of what the finished piece is going to look like until the end.
RECENT NEWS ARTICLES
February 24th 2017
When the Cat’s Away, Gia Genevieve, NYC is the brand new Eyestorm edition by Los Angeles based photographer Tatiana Gerusova, which sees the artist continue to explore the playful side of fashion photography while introducing a new sense of ambiguity and intrigue that allows the viewer to come to their own conclusions about the story behind the work.
February 18th 2017
In 2014 and new to Eyestorm, Sophie Smallhorn ended up being a very popular artist and most widely shown female newcomer of that year. With impressively good sales across three continents, Asia, Europe and the United States, her Colour Wheel 5 was a very successful debut print edition.
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Read this weekend's article on #SophieSmallhorn and her 4 Eyestorm prints from our series about investing in art at… https://t.co/NVAEq2m9cs
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