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ALESSANDRO RAHO | SHORTLISTED FOR JOHN MOORES PRIZE
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FEATURED ARTWORK EXHIBITED AT 'AAF SINGAPORE' | 20 - 23 NOV
JOHN SIMPSON CARNE GRIFFITHS JACKY TSAI SOPHIE SMALLHORN HENRIK SIMONSEN WHITNEY MCVEIGH
Omega and The Bear The Escape Ginger Flower (Shanghai Tang series) Colour Wheel 5 Scarlet Map of Time
RECENT NEWS ARTICLES
November 19th 2014
Between August and October 2014, Eyestorm released new editions by Jacky Tsai, Henrik Simonsen, Lucie Bennett, Sophie Smallhorn, Whitney McVeigh, Carne Griffiths and John Simpson, and have exhibited them in New York, Mexico City, Amsterdam and London.
August 27th 2014
Map of Time is our new screenprint by London-based artist Whitney McVeigh. Angie talks more about the piece below. When we first started showing Whitney McVeigh’s work at Eyestorm, perhaps ten years ago, it was primarily pieces from her ‘Heads’ series, which for her represented “a frailty beneath the complex surface of us all” and drew on references to primitive paintings.
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November 7th 2014
Lucie Bennett’s most recent limited editions see her delve into new territories as she creates two sleek and immaculately finished works made solely from laser cut acrylic.
November 15th 2014
Anja Niemi’s photographic works gained a fantastic response when we first introduced them back in July. Below Angie presents four new images from the series, which sees the artist cast herself as the leading character in order to explore varying female roles within society.
November 5th 2014
Alessandro Raho’s lithograph Simon is being exhibited in the ‘Face to Face: British Portraits from the Clifford Chance Art Collection’ exhibition at Sir John Soane’s Museum, London.
November 21st 2014
For this month’s auction we’ve gathered together a selection of limited edition prints that we have framed and ready to go - just in time for Christmas.
March 27th 2013
When works of art sell in charity auctions they often go for a bit higher than the price they would normally sell for due to the fact that the buyer is also donating to a good cause and the events are often a little more ‘relaxed’ should we say (i.
 
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