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JO BRADFORD | 'Portals, Orange' | New Photographic Edition
April 19th 2019
In March last year, Eyestorm released the first three works in a new series by British artist, Jo Bradford, titled ‘Portals’. This series illustrates the development of Bradford’s camera-less photographic technique - a continuing refinement of her unique self-taught method. Today, we are excited to be introducing Portals: Orange, the fourth edition of the Portals series, which furthers Bradford’s exploration of pure colour through subverted photographic methods.
by Tessa Yee
PRINT EDITION RELEASE
Jo Bradford’s current artistic practice is the result of many years experimenting in her photographic darkroom with the technical and chemical processes of making analogue photographs, eventually developing a unique method of capturing light on chemically sensitised paper that allows her to create photos without the use of a camera or digital intervention - known as Luminograms.

Her work has been driven by a desire to perfect this technique, initially using it to explore figurative images such as landscapes, but overtime focussing in on her primary interest - colour:

“I am always hyper aware of colour in everyday life. I feel like my consciousness is stimulated by colours coming at me from every angle.” - Jo Bradford

Today Bradford’s work can be described as non-objective - spectacular luminous images where the subject is colour, and the medium, light.
JO BRADFORD
Continuum, 2017

Edition of 15
2 Artist Proof (APs)

180(w) x 120(h) cm
70.87(w) x 47.24(h) inches
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JO BRADFORD
Continuum, 2017

Edition of 15
2 Artist Proof (APs)

180(w) x 120(h) cm
70.87(w) x 47.24(h) inches
ENQUIRY
Art is about speaking to each other and by making an enquiry you can have direct conversation with us about artwork you find interesting.
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Jo Bradford (South African)

Continuum , 2017

180(w) x 120(h) cm
70.87(w) x 47.24(h) inches
C-type Lambda prints from photograms on Fuji Crystal Archive Pearl paper

Price includes each print mounted on aluminium and framed in thin white tray frame,
Edition of 15
PRICE (INCL. VAT)
$ 4,410.00 Only 1 left at this price
MAKE AN OFFER
Find art trends here >
As seen in the previous releases Autogenesis and Continuum, Bradford is especially interested in exploring colours that she believes have been ‘left in the shadows’ - the minor colours of the spectrum, or those that sit in-between the primary colours of the rainbow. In Portals, Bradford concentrates this study on a particular colour of interest - turquoise, which she feels should have had a primary role in the naming of the rainbow hues. Portals explores the range of tones available in this colour from the lighter end of the scale, right through to the darker shades - revealing the simple way in which hues can be altered by nothing more than the intensity of the colour.

Alongside works that specifically use shades of turquoise - for example her previously released Portals: Teal - in this series, Bradford has produced complementary images which explore the way opposing hues can affect the perception of colours when seen together. In today’s print release Portals: Orange, Bradford uses an intense orange tone from the opposite side of the spectrum to turquoise. When put side by side with Portals: Teal, we can see a subtle shift in the way the hues appear in this juxtaposition, as opposed to how they appear on their own. The blues are much cooler, the oranges hotter, and the dark areas appear deeper and more intense. There is a push and pull between the opposing shades of teal and the bright sharp orange hues, creating a visible contrast between seeing these images as individual works, and side by side. This effect is not incidental, as Bradford carefully selects hues that will work with the series in its entirety, as well as individual artworks in themselves. She is asking us to consider our own observation of colour, revealing it as not a constant, but a continuous shift of perception.

Bradford’s obsession with colour has been influenced by some of the great colour field and light artist of the 20th Century. Like the abstract expressionist Mark Rothko and Josef Albers, Bradford presents her works as flat abstract colour planes, eliminating references to any object, and instead focussing the viewers on appreciating colour in its purest form.
JO BRADFORD
Portals Orange, 2019

Edition of 20
48(w) x 60(h) cm
18.90(w) x 23.62(h) inches
MAKE AN OFFER
Art is about talking with each other and via ‘Make an Offer’ you can have a direct conversation with us and suggest a price for this artwork.
Your Offer *
Name *
Email *
Phone number *
Any Comment? *
* Required fields
JO BRADFORD
Portals Orange, 2019

Edition of 20
48(w) x 60(h) cm
18.90(w) x 23.62(h) inches
ENQUIRY
Art is about speaking to each other and by making an enquiry you can have direct conversation with us about artwork you find interesting.
Name *
Email *
Phone number *
Any Comment? *
* Required fields
Jo Bradford (South African)
48(w) x 60(h) cm
18.90(w) x 23.62(h) inches
C-type Lambda print from photogram on Fuji Crystal Archive Pearl paper.

Signed and titled by the artist on label on verso.

/ Price include framing /
Print mounted on aluminum and raised 5mm from board. Framed in white-dust 3/8" width aluminium frame.
Edition of 20
PRICE (INCL. VAT)
$ 1,560.00
MAKE AN OFFER
Find art trends here >
Perhaps an even closer comparison is the way in which Bradford creates her colours and shapes from light - much like the ‘Skyscapes’ and ‘Light Tunnels’ of the great light artist, James Turrell. Like Turrell, Bradford is ‘painting with light’, exploring our perception of light and colour through the juxtaposition and comparison of different shades and hues - demonstrating the subtle shifts and changes that are always occurring.

However, unlike such light artists who work with installations, Bradford’s Luminograms allow the work to be trapped on paper, to be taken home and appreciated on a more personal scale. And unlike the colour field artists whose medium is paint, Bradford’s colour work appears in a transparent layer of chemistry on a white sheet of paper. In this way, the colour application does not dim the purity of the white behind it, as happens when paint pigment is applied to a white background. Instead, the colour in Bradford’s work is recorded in its purest form - within light.

You can find Portals: Orange and the other pieces in the ‘Portal’ series on Jo Bradford’s artist page here.
 
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Following on from her ‘Autogenesis’ series, released in March 2016, Jo Bradford’s new set of limited edition photographic works, collectively titled ‘Continuum’, sees the cameraless artist pursue her interest in recording pure colour, this time on a larger scale.
Read more ...
DO YOU OWN A DAMIEN HIRST PRINT EDITION YOU WISH TO SELL?
Valium
With two major exhibitions during the Venice Biennale, 2017 was a year which increased the awareness of Damien Hirst. With Hirst still actively releasing new print editions, many collectors focus on his earlier work from 2000 and before, such as Valium, Lysergic Acid Diethylamide (LSD), Opium, Beautiful, Galactic, Exploding Screenprint (Spin) and Painting-by-Numbers.

If you have one of the above prints that you are potentially interested in selling, please do get in touch with us via the Contact page, which you can find here.
 
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