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FABRICE HYBERT
Elian Pine Carrington, Mask from POF No.2, Deep Narcissus (1997), 2000

Edition of 200
50(w) x 34(h) cm
20.00(w) x 13.50(h) inches
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FABRICE HYBERT
Elian Pine Carrington, Mask from POF No.2, Deep Narcissus (1997), 2000

Edition of 200
50(w) x 34(h) cm
20.00(w) x 13.50(h) inches
ENQUIRY
Art is about speaking to each other and by making an enquiry you can have direct conversation with us about artwork you find interesting.
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Elian Pine Carrington, Mask from POF No.2, Deep Narcissus (1997)
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Elian Pine Carrington, Mask from POF No.2, Deep Narcissus (1997), 2000

INFORMATION
50(w) x 34(h) cm
20.00(w) x 13.50(h) inches
Show scale of piece
Ilfochrome.

Stamped and numbered on verso.

Only 25 printed of the edition of 200.

Edition of 200
PRICE (INCL. VAT)
£ 360.00
Delivery within a few working days
Price of artwork and Shipping Fee are dependent on country of delivery. Shipping fee to United Kingdom is currently free. [change country here]
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Fabrice Hybert Biography

(French, b. 1961)
Fabrice Hybert specialises in tapping into what he has called ‘the enormous reservoir of the possible’. His aim is to examine the way we communicate, and to mimic the endless linkages between ideas.

Hybert’s art ranges from drawings, paintings and objects to installations, performances, travelling public artworks and videos. Since the mid-80s, his considerable output has evolved as a constantly proliferating lattice, a network of autonomous but related pieces whose goal is to represent the proliferation of thought itself.

For several years Hybert has produced a series of ‘Prototypes d’objects en fonctionnement’ (prototypes of working objects), or POFs. These sculptures are often wry mutations of banal everyday objects. ‘Swing’ (POF No.3, 1990) is a variation of a playground swing with the addition of two phallic protuberances on the seat, one hard, one soft. ‘Roof-Ceiling’ (POF No.10, 1995) consists of a mechanical device which vacuums up the rubbish in a room and deposits it in a transparent ceiling overhead; installed in a hairdressing salon, it allows the viewer’s newly sheared locks to become part of the architecture.

Hybert offer these objects as sites of fluid and shifting meaning. Viewers can interact with them to explore alternative and unlikely ‘uses’. To encourage this kind of participation, the POF are employed as probs in short videos featuring Hybert’s collaborator, Elian Pine Carrington, a flamboyant transvestite whose improvisational abilities lend these ‘tests’ a surreal and absurd quality.
 
Recommended Reading
Gifted with a scientist’s mind and being an artist at heart, Fabrice Hybert has from the early eighties relentlessly aimed to examine the way we communicate and to mimic the endless linkages between ideas; a theme he refers to as the ‘the enormous reservoir of the possible’. To the artist, collective information and processes lead to outcomes, in the same way that a forest grows not just from a seed, but the unified input of the environment. In the series ‘Prototypes of working objects’, Hybert created bizarre mutations of everyday objects, theatrically tested by his collaborator, Elian Pine Carrington. Three photographic editions were released from ‘Deep Narcissus, POF No.2’.
Read more ...
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