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Fraxinus Excelsior, 2018

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Fraxinus Excelsior, 2018

INFORMATION
89(w) x 68(h) cm
35.04(w) x 26.77(h) inches
Show scale of piece
Enamel and acrylic on canvas
PRICE (INCL. VAT)
£ 2,500.00
Delivery within a few working days
Price of artwork and Shipping Fee are dependent on country of delivery. Shipping fee to United Kingdom is £ 25.00 . [change country here]
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James Hunter Biography

James Hunter’s recent series of abstract works share attributes with the genera 'surrealist automatism', in that they have no conscious compositional or pictorial outcome. Painting with enamel and acrylic, each contribution to the canvas informs the next, giving a sense of growth and expansion from an undefinable core. Hunter states that this group of paintings were born out of the need for a ‘lack of process’ - “I try to empty my mind. I don't want to know what's going to happen on the canvas. I start somewhere, then every subsequent mark is a response to what I see.”

This freedom of process is tempered with purposeful confident mark making and a clean graphic aesthetic. In pleasant opposition to the chaos of the image his works are presented in a uniform format, using the same colour palette, canvases of exactly the same size and the same portrait orientation. By first giving himself the parameters of his tools he is then able to enjoy the unexpected outcomes of working instinctively.

The result of his honest and playful journey are cumulonimbus of colour from which an infinite number of recognisable forms emerge. Panting dogs, computer game characters and fractured faces can be constructed from the jigsaw like components. The accents and highlights in works such as Fiesta Gitana give a sense of movement, as if they were shaking or dancing. Jackanapes, an old word meaning a cheeky impertinent person or a tame monkey, seems to live up to its title vibrating with giddy energy. The use of block of colour to segregating the canvas in works such as City of Haarlem and Ostara create a fictional coastline or municipal border on which lay what look like Dr Seuss landscapes meets google map cities. The entertaining joyful nature of these pieces coupled with their high quality finish, perfectly displayed in identical box frames which he prepares and finishes himself, illustrate why this young and exacting artist will continue to be well received.

Born in Preston, Lancashire in 1987, where he now resides, Hunter studied BA (hons) in Fine Art at Leeds Metropolitan University where he made painting and performance work collaboratively with his twin brother Anthony, achieving 1st class honours. He was then employed by Damian Hirst both as a performance artist and as a fabricator. He continues to explore his painting which has been shown internationally including New York City, Stockholm, Singapore and London.


Read our article on James Hunter and 'Investing in Art' here
 
Recommended Reading
After some time away from painting with the demands of two young daughters, British artist James Hunter (b. 1987) is pleased to be back in his studio. Happy to be picking up his brushes again, he nonetheless reflects that it has been good to have had time to ponder on his craft and the direction his painting is taking, revisiting the wise words of his art tutor who always reminded him that ‘thinking is the hard part’ in the creative process.
Read more ...
OTHER WORKS BY THIS ARTIST
 
INTEREST IN EARLY PRINT EDITIONS BY LUCIE BENNETT
Pink Knickers
For more than a decade Lucie Bennett has been seducing viewers with her silhouette line drawings of haunting sirens, alluring pin-ups and supernatural nymphs. Her print editions from 2005 - 2012 are increasingly being requested by collectors.

If you own a print, such as Pink Knickers, Green Felt Tip Girl or Red Felt Tip Girl and you wish to sell, we have clients who are looking for select pieces. You can get in touch with us via the Contact page, which you can find here.
 
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With their tender expressions, intimate compositions, and delicate colour palettes, Lucie Bennett’s recent works se… https://t.co/rZL1FKyvAm
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