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JAMES WELLING
21 (1998), 1999

Edition of 100
28(w) x 35(h) cm
11.02(w) x 13.78(h) inches
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21 (1998), 1999

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21 (1998), 1999

INFORMATION
28(w) x 35(h) cm
11.02(w) x 13.78(h) inches
Show scale of piece
Silver gelatin print

Edition of 100
PRICE (INCL. VAT)
£ 720.00
Delivery within a few working days
Price of artwork and Shipping Fee are dependent on country of delivery. Shipping fee to United Kingdom is £ 25.00 . [change country here]
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James Welling Biography

James Welling’s photography takes the process and nature of the medium as its subject matter. Coming to prominence in the late 1970s and early 1980s Welling’s work provides a critical deconstruction of photography and the techniques it entails. Moving away from the photographic traditions of opticality and pictorialism the artist uses simple objects ranging from pastry dough to crumpled aluminium foil to create photograms and architectural images with Polaroid and 4 x 5 cameras exploring the possibilities of abstraction.

Identified as an artist of “singular accomplishment” by the Los Angeles Museum of Contemporary Art, Welling’s experiments with the medium and form of photography have cemented his importance in the history of American photography. He began his photographic career taking shots of Los Angeles architecture in changing lights and others of juxtaposed objects before moving on to the photogram technique he is most renowned and celebrated for. Welling has been included in numerous group shows and had a number of solo exhibitions internationally, a mid-career retrospective at the Palais des Beaus Arts in Brussels in 2002, and his work is represented in several public collections including the Museum of Modern Art, New York, and the Metropolitan Museum of Art, New York. James Welling is also an associate professor of photography at UCLA’s School of the Arts and Architecture
 
Recommended Reading
Postmodern artist James Welling seeks to contest the practice of photography as a means of representation and explore the opportunities it offers as an artistic process. Read more about the four Eyestorm editions created with the artists in 1999 below.
Read more ...
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With two major exhibitions during the Venice Biennale, 2017 was a year which increased the awareness of Damien Hirst. With Hirst still actively releasing new print editions, many collectors focus on his earlier work from 2000 and before, such as Valium, Lysergic Acid Diethylamide (LSD), Opium, Beautiful, Galactic, Exploding Screenprint (Spin) and Painting-by-Numbers.

If you have one of the above prints that you are potentially interested in selling, please do get in touch with us via the Contact page, which you can find here.
 
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