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Canopy Memories, 2015

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Jonathan Purday

Canopy Memories, 2015


92(w) x 93(h) cm
36.22(w) x 36.61(h) inches
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INFORMATION
7 colour screenprint on Somerset Satin 410 gsm paper

Edition of 50
PRICE (INCL. VAT)
£ 690.00
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Price of artwork and Shipping Fee are dependent on country of delivery. Shipping fee to United Kingdom is £ 25.00 . [change country here]
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Jonathan Purday Biography

Often drawing upon his own personal memories Jonathan Purday’s use of photography and film stills is carried forward into his practice. His paintings display the artist’s core aesthetics bringing together a selection of colours that are exploited by the often harsh dark void that confronts them. Memory and its waywardness becomes the real subject of these pieces, as the artist often works not from the image but his recollection of it. Consequently, compositional organisation and detail often become ‘lost in translation.’ A short time living in Portugal was the inspiration for a series of paintings created in 2010/2011.

Landscape works which depict scenes in and around where he was living, they seek to address the rugged and untamed charm of the wilderness. At the same time as producing these works he was also writing ‘Haiku’ poems – a form of Japanese poetry traditionally printed in a single vertical line that often takes aspects of the natural world as its subject matter – and consequently some of this series of works could be seen as visual interpretations of these Haikus. Film references are still present in the new paintings, most notably in ‘Homage to Red Squirrel’, which was made in response to the opening scene of the film of the same name. Previous works have taken scenes of struggle and conflict, creating gentle pyrotechnics, turning the blockbuster films of violence and confrontation into soft-edged explosions, pastel-coloured atrocities as soothing to the eye as a Matisse. In more recent work Purday draws on basic desires and illusions of both past, present and future with its twisted existence and often unexpected reality, addressing both urban and rural environments. There is a sense of alienation in these often uninhabited landscapes, each of which point towards a society lacking in substance at which its centre, once religion, is replaced by the state of play found in sport and the fantasy away from the constant flux of the cities in the countryside but which have however become highlighted by the natural disasters that it increasingly witnesses.

His most recent series of paintings, inspired by a trip to Marrakech, explore how ancient and modern civilizations are forced to collide due to tourism. With a focus on composition paired with mesmerizingly harsh yet beautifully illuminating light, pieces such as ‘Jungle Fever’ feature designer holiday homes that exist in a secluded tropical oasis in a city of dust. In these works Purday has mixed Moroccan pigment with acrylic paint to create his desired palette, forming a connection between the materials used and the subject they’ve created.

Since finishing his Fine Art degree at Bath in 1994, Purday has exhibited widely, including a number of solo shows in London. Purday’s ‘Skewed Surveillance’ was featured on a Gomez album cover, released March 2002, and other works, such as ‘Celestial Dusk’ have been used on posters and other merchandise for the band.
 
OTHER WORKS BY THIS ARTIST
 
NEWS ARTICLES
ABOUT THIS ARTIST
June 19th 2016
Jonathan Purday’s new series of paintings see him return to a subject he studied previously, the iconic Majorelle Gardens of Marrakech. Something that very much draws you in with Jonathan Purday’s work is the beautiful vibrancy of the colour palette.
February 15th 2015
Jonathan Purday’s new series of paintings present a stunning depiction of towering stand-alone trees. Angie talks more about the work below. This new series of paintings by Jonathan Purday certainly has the ‘wow’ factor.
November 19th 2016
London-based artist Jonathan Purday has a series of new exclusive paintings inspired by his time in Morocco. Read more about the new works below. The Majourelle gardens in Marrakech have been the inspiration for many of Jonathan Purday’s paintings since 2011.
January 27th 2016
Earlier this month, Jonathan Purday was in China to take part in Art Suzhou 2016, a UK/China exchange exhibition conceived in collaboration with Ye Qinlan, director of LanGallery, PanArts in the city of Suzhou - a thriving and fast developing city not far from Shanghai - and the British Council.
RECENT NEWS ARTICLES
February 16th 2018
After the successful release of Ross Holden’s first screen-print 13 Million Miles (Diamond) in September, Eyestorm is excited to be releasing a second exclusive edition by Holden titled 300 Billion Years (In The Past), representing the continued development of the artist’s work within the screen-print medium.
February 9th 2018
AES Group or AES+F as they’ve been called since 1995, have been making videos, sculptures, and digital projects together since the late 1980s. They construct elaborate, allegorical scenarios to create biting social commentary.
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With two major exhibitions during the Venice Biennale, 2017 has been a year which has increased the awareness of Damien Hirst. With Hirst still actively releasing new print editions, many collectors focus on his earlier work from 2000 and before, such as Valium, Lysergic Acid Diethylamide (LSD), Opium, Beautiful, Galactic, Exploding Screenprint (Spin) and Painting-by-Numbers.

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Jacky Tsai has been in the studio to prepare a very colourful and vibrant new screenprint… https://t.co/sBV1TPgMy7
This Saturday we are releasing Ross Holden’s new screenprint edition titled ‘13 Billion Years… https://t.co/tx4sZO7gm6
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