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CARE
OF ARTWORK FOLDER |
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The
information on this page is taken from our booklet 'How To Take
Care of Your Artwork', which is sent along with all artwork sold
by Eyetstorm.
Below
you will find some helpful advice and information about caring for
your artwork.
We
are always here to help, so please contact us if you have any further
questions.
To
go to the Eyestorm home page, click here
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HANDLING
AND STORAGE |
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When
handling your artwork please be careful, preferably using clean
cotton gloves, which are available from any art store. It is important
not to touch the print directly as oils from your hands can damage
the artwork in the longer term.
To
ensure the integrity of the artwork and your investment, it is vital
that prints are kept in a low-light and in a non-humid environment
until framed. If you know it might be stored for some time, we advise
you keep it in the orginal Eyestorm packaging.
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FRAMING
& HANGING |
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Every
artwork is special and displaying it the right way will ensure you
get the most pleasure from it.
The
following pages contain information for ensuring your artwork will
remain in good condition for as long as possible.
If
you bought your artwork including framing, please contact us if
you have any questions about to how hang it. As a guideline, if
your frame has a cord, then you can consider it safe to hang using
the cord. If no cord has been attached, then you should use the
hooks, as hanging directly on the hooks is always safer as it supports
more weight.
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Lighting
Works
on paper, photography and textiles are particularly vulnerable to
light’s adverse effects (UV rays). Too much direct light can
lead to changes in print texture and discoloration, so it is important
to strike a balance between the benefits of light for viewing your
artwork and its potential harm. Artworks should not be hung in direct
sunlight, and artificial light can also be harmful, especially halogen
lights and direct spotlights. Lights near the top of the picture
frame can heat the work and cause discolorationt.
Eyestorm
would recommend that artificial lights are kept at an absolute minimum
distance of 12” / 30 cm from any artwork surface.
Humidity
Prints
on paper and photographic prints will be affected by overly humid
conditions and will be damaged by water, potentially causing an
uneven print surface and discoloration. In view of this, bathrooms
with high humidity are not recommended for hanging prints. Also
avoid places where accidental liquid spills are possible e.g. near
a kitchen work surface.
Heat
Intense
heat can affect both the colour and texture of artworks, so make
sure your piece is not displayed in close proximity to any heated
surfaces such as radiators or placed in direct sunlight.
Glass
Do
not frame your print with the glass pressed directly onto the image
surface - this can damage the surface of the work and lead to humidity
pockets gathering on the surface of the artwork. Instead, frame
your print with a spacer or an air gap between the print surface
and the glass.
UV
resistant glass can be more expensive but will block out harmful
light rays. Non-shatter glass will ensure that should a breakage
occur, glass should not spear or scratch the artwork.
Mount
board / Matt board
Paper
and photographic prints are sensitive to acidity levels which may
be present in non-professional framing materials. This especially
applies to mount board, which should have low acidity levels or
be acid free. Ask your framer for the best advice on acid free framing
mount materials.
Adhesives
Never
use standard sticky tape, blu-tack or regular masking tape for holding
your print in place. These will deteriorate with age, may leave
sticky marks on your artwork or damage it when removed and have
high levels of acidity, which will affect the quality of your print
in time. Acid free framing tapes are widely available and should
be used by your chosen framer.
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CERTIFICATE
OF AUTHENTICITY |
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The Certificate of Authenticity
is a unique document which verifies the artwork as authentic. Together
with the receipt of purchase, the certificate acts as a warranty
for the buyer should you wish to sell your artwork in the future,
either privately or through an auction house.
For
insurance purposes the Certificate of Authenticity is not enclosed
with your piece, but instead posted after you have received your
artwork.
We will send you an email on the day we dispatch the documents
so you can keep an eye out for them.
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