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David Woolfall X [19]
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Biography
David Woolfall’s engaging photographs are a result of extensive travel, a perceptive eye and exceptional skill. Whether shooting a lonely staircase or a group of street kids sitting on a wall, Woolfall has the ability to capture the moment with elegance and confidence in equal measures, successfully getting the desired message across to the viewer. As apparent from the images shown here, Woofall’s passion, and consequently his strength, lies in his award-winning portrait photography. Boy In Cambodia, Monk, Angkor Watt and Angkor Watt, Cambodia, taken during a trip to the South East Asian country in 2001, are the kind of images one can imagine becoming iconic, and are a clear indication of this photographer’s ability to connect with his subjects; a rare talent that is essential to excel in this type of work.
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Despite the fact that David Woolfall makes a living mainly from his commissioned portraiture works, which are regularly seen in leading newspapers and glossy magazines, its his urban landscapes that I find the most captivating. Almost always devoid of human presence, each of these scenes has the potential to tell a story about what has happened and anticipates what will happen next, and it’s up to our imagination to decide how complex we want that story to be. As many creative eyes do, David notices those moments that most may not. Three of the new works for example are of walls, one with the word ‘Love’ affectionately scrawled across it in graffiti, the other two slightly covered with creeping foliage, naturally creating a display that could easily be a painting hanging in a gallery; he sees these scenarios and clicks away, cherishing the moment forever and turning it into art.
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