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ARTICLES Art Trends
'Art Trends' is an easy-to-use Eyestorm encyclopaedia of the hundreds of articles and most popular works; giving a in-depth insight into the artworks we represent.

We are working on a catalogue raisonné spanning a quarter of a century, showcasing the incredible works released exclusively by Eyestorm between 1999-2024.
It is the story behind an artwork that often takes it from intriguing to all-absorbing. For five years, Eyestorm have excavated into dusty notes, interviews and odd photographs going back a decade or two. And we are not yet done.

Below are the stories that uncover artists practices, reveal the thoughts behind a print edition - and those little anecdotes that too rarely get told.
Recommended Reading
Young couples enjoying a night out and a twist on the dancefloor, Malick Sidibé captured the enthusiasm of a Malian generation in the wake of the country’s independence in the early sixties. The only photographer in town - equipped with a handheld camera and flash - he roamed the nights of Bamako leaving monochrome snapshots of what optimism and the expectations of a new future looks like. ‘Bamako Nights’ shows Sidibé’s talent at the earliest of his career, unintendedly forming a documentary of the capital in a period of transition. Eyestorm’s representation of his fellow countryman, Seydou Keïta, opened a dialogue with Sidibé; one that shaped exclusive collaborations with the best of West African photographers.
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Juxtaposing the past and present, and the East and West, Jacky Tsai skilfully and humorously dives into themes of impossible romance, political affairs and other current events. In his practice, the fast-paced, ever-changing world - where few can barely keep up with the rapid development of technology - is embraced rather than feared; continuously exploring how to combine traditional artworks with the latest mediums and their potential. Artificial Intelligence (lenticular) from 2018 shows Tsai’s innovative approach in a work directing the spotlight at machine learning, or AI, and its challenges, years prior to it becoming an everyday tool.
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Recommended Reading
Attending to singular and flawless hues in the spectrum, inside her darkroom, Jo Bradford captures azurite, incarnadine, heliotrope, teal and others in their fleeting existence. Often it is a tightly choreographed play, allowing colour to merge into each other on the light-sensitive paper, creating new harmonious and eccentric hues in the space where they intersect. Bradford is a colourist at heart, an artist who have made colour the subject of her work and the focus of her practice for almost twenty years. A set of 15 luminograms, titled Autogenesis, is an immaculate example of Bradford’s first passage in the continuum.
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Persistently challenging modern-day perceptions of conventional beauty, Jenny Saville offers a new perspective to a story that throughout history was often told by men. The brush strokes may resemble Lucian Freud and the divine fleshy palette of Rubens, but ultimately, these are female portraits - powerful rather than beautiful - and painted by a woman. Early shows, ‘YBA III’ and ‘Sensation’ at the Royal Academy of Arts, placed Saville in the spot light, quickly associating her as one of the young British artists in the nineties; a starting point of a career now in its fourth decade which has reaped numerous achievements for the artist. The first lithographic edition, Separates, follows the characteristics of Saville’s works and palette, although distinctively different in medium and technique.
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