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ARTICLES Art Trends
'Art Trends' is an easy-to-use Eyestorm encyclopaedia of the hundreds of articles and most popular works; giving a in-depth insight into the artworks we represent.

We are working on a catalogue raisonné spanning a quarter of a century, showcasing the incredible works released exclusively by Eyestorm between 1999-2024.
It is the story behind an artwork that often takes it from intriguing to all-absorbing. For five years, Eyestorm have excavated into dusty notes, interviews and odd photographs going back a decade or two. And we are not yet done.

Below are the stories that uncover artists practices, reveal the thoughts behind a print edition - and those little anecdotes that too rarely get told.
Recommended Reading
Presenting three French girls into her cast of savvy and confident females, Lucie Bennett introduced the ‘Naked Burgundies’ on a London spring evening. The strong feminine sexuality - one that confronts the audience - is apparent in many of Bennett’s work; at other times her female subjects are portrayed in a private moment of contemplation, seemingly oblivious to the viewer’s gaze. Bennett’s controlled, sensual lines and her conscious use of a refined burgundy palette in the Burgundy nudes, embraces Delphine, Marianne and Romy in flattering warm, dark red hues.
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Reflecting on a life experience spanning two uniquely different cultures, Jacky Tsai brings opposing concepts head to head. In his works, the artist fuses traditional Eastern motifs with Western Pop-Art imagery, often exploring old craftmanship before infusing them with his own contemporary and humourous twists. Zebras, cooling fans and space rockets float in landscapes alongside cranes and beds of flowering peonies; and in the two print editions, Stained Glass Skull and Cloisonné Skull, Tsai expands on two crafts of the past, presenting new versions of his famous floral skull.
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An artist among walkers, and a walker among artists, Hamish Fulton is an outlandish and inspiring figure. For several decades he has embarked on short walks and demanding ones of up to 50 miles a day, depending on the terrain, and in all weathers. From Soho to Saskatchewan, from his home in Kent to the peaks of Nepal, he has trekked, hiked and trudged the world in small groups in solitude. His object is to unite two apparently incongruous activities: walking and art. A series of print editions from the turn of the millennium invites the viewer to join Fulton on four walks covering three continents.
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Recommended Reading
Studying the historic and organic relationship between humans and animals, John Simpson reflects on what at times seems to be a long lost bond. In his drawings, the artist’s references to Classical Antiquity, folklore and beliefs are plentiful; returning to scenes from the tale of Actaeon and Artemis, and other intriguing, mythological encounters. The serigraph, Omega and the Bear, elaborates on a series of lithographs by Edvard Munch, and through his signature monochrome palette, Simpson takes control of the narrative and leads the viewer into a philosophical story of related beings.
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John Simpson | Popular Articles
Danish artist Henrik Simonsen has time and time again captivated the audience with his ability to represent the beauty of nature’s forms, composition, light, and colour in his original prints and paintings. Inspired by his time spent in the Scandinavian countryside, Simonsen not only creates works from his observations of plants’ and flowers’ physical features, but also from personal impressions and experiences of nature. One print edition, Blue Hour, portrays a small patch of nature confined in subtle, dazzling and gripping blue tones, and lets everyone in on an inspiring tale of new beginnings.
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Approaching the world with a judicious curiosity, Dennis Oppenheim pursued the answers with the mind of a scientist. Large-scale and site-specific Earthworks, projects exploring his own actuality, and performance works that regularly included his family; these were just a few of Oppenheim’s quests to unveil the nature of art. The artist’s methodology of documenting the projects and artworks in photographs and operational details made Oppenheim a pioneering figure within several art movements in the sixties and seventies. From his series of genetic works, Go-Between was presented as a diptych in 2000; two black-and-white photograph studying a family showdown.
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