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Comfort, 2012

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Carne Griffiths

Comfort, 2012


38(w) x 54(h) cm
14.96(w) x 21.26(h) inches
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INFORMATION
Giclee print on Hahnemuhle 310gsm paper

Edition of 50
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£ 490.00 Only 1 left of the edition
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Carne Griffiths Biography

Unquestionably beautiful and hypnotically complex, Carne Griffiths’ drawings are imbued with his love for the medium. Deploying an endless array of techniques he creates wild and expressive works containing worlds within which to loose oneself. Enviable draftsmanship, an illustrative instinct, a graphic eye and the raw energy of automatic process are joyfully allied to produce unusual and stunning portraits.

“there was something magical to me about the creation of a unique world on a page with simple materials and no boundaries.”

With his Origins series and works such as The Escape, Griffiths treats the physiognomy as topography tracing swirling ordnance survey contours lines across the paper to create the features of the subject. Thus mapping the history and heritage of a life through the lines on the face, tipping the hat to the unalterable effect of time.

The process begins with a sketch of the sitter, then using strata of ink, graphite, calligraphy ink, brandy, tea or vodka Griffiths works the image until it is a nearly unrecognisable version of itself. Varying techniques are then systemically applied, starting with what Griffiths describes as the 'chaos' comprising of weighty freeform automatic marks and scribbles. Then comes the 'detritus' of finely executed doodle like patterns suggestive of foliage, feathers or antennae like strands. 'Structure' come in the form of of ruthless fragmentation of features seen clearly in Refraction and Invisible Lines or graphic radiating lines suggestive of op art, radio waves and lazer beams exemplified in Summon.

Washes of colour are balanced unconventionally, yet the seemingly arbitrary drips, splodges and splashes deepen the perspective and bing a warm and full bodied completion to the compositions. With Fly Me To The Moon and The Void Griffiths takes advantage of the dark surface by drawing with a luminescent spectrum.

“The process involves spontaneity and I enjoy the volatile nature of the work - the fine balance between beauty and destruction.”

His twelve-year London-based career as an embroidery designer, producing elaborate hand drawn designs for prestigious clients, reveals itself in the fine detail and illustrative patterns within his images. His works translate particularly well to print where Griffiths has finally turned, what he refers to as, his own 'clumsy' hand to needlework. Seen at its most simple and striking in The Code or in Diffusion where the sharp lines of the threads contrast the voluptuous pre Raphaelite face of the girl.

Griffiths is an artist with a visible fervour unrestrained by conventionality. His free reigning pen causes the drawings to move, explode, leak and reach out from the core, loosing the distinction between human being or the object and the negative space in which they occupy. There is so much going on in each piece that it shouldn't work, but it does, spectacularly.

Born in Liverpool in 1973, Griffiths studied Illustration at Maidstone college of Art in 1992 and after graduating was made a fellow of the college in 1995 with contemporary Dan Baldwin, which lead to them later curating the ‘Shynola’ exhibition at Islington’s Candid Arts Gallery in 1996. Since establishing his own studio in 2010, Carne has exhibited in the UK at the London Original Print Fair at the Royal Academy, the London Art Fair in both 2011 and 2012, and overseas at Urban in Ibiza in 2011 and Arts After Dark, New Orleans in 2010. Carne also collaborated with the British photographer Rankin for a feature in the 2nd edition of Hunger Magazine early in 2012. He lives and works in London.
 
OTHER WORKS BY THIS ARTIST
Carne Griffiths - Mars
Carne Griffiths - At One With Nature
Carne Griffiths - The Great Escape
Carne Griffiths - The Escape
Carne Griffiths - Invisible Lines
Carne Griffiths - Comfort
 

Mars

At One With Nature

The Great Escape

The Escape

Invisible Lines

Comfort

Only 1 left at this price
Only 1 left of the edition
Only 1 left of the edition
 
NEWS ARTICLES
ABOUT THIS ARTIST
May 1st 2016
Carne Griffiths’ current body of work focuses on the artist’s views on the importance of the natural world. Read more about his two new original ink and tea pieces and limited edition print with gold leaf below.
July 6th 2012
This week we’re pleased to present a series of exclusive original works and a brand new print by Carne Griffiths from his recent collaboration with celebrity photographer Rankin.
February 10th 2017
Carne Griffiths’ new works on paper see the artist include acrylic paint in his ink and tea portraits for the first time, creating a new level of colour intensity.
January 30th 2016
Best known for his distinctive portraits using unconventional substances such as ink, tea and alcohol, Carne Griffiths is moving in a new direction with his most recent works as he considers nature and his immediate surroundings more than ever before.
RECENT NEWS ARTICLES
March 18th 2017
Bennett first came into the limelight in 2004 when her work featured in the first British series of the TV show, The Apprentice, where the contestants hosted a solo exhibition of her paintings in London’s most established gallery row, Cork Street.
March 10th 2017
Following on from her ‘Autogenesis’ series, released in March 2016, Jo Bradford’s new set of limited edition photographic works, collectively titled ‘Continuum’, sees the cameraless artist pursue her interest in recording pure colour, this time on a larger scale.
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Artist #JoBradford with her new Continuum series at #AAFBattersea last week. Read about the work in our article at… https://t.co/hK5wUWzq0n
Jo Bradford’s ‘Continuum’ sees her pursue an interest in recording the purest colour within light with 6 new works… https://t.co/KQnTDrdU67
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