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Elements with Provence Rose, 2016

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Jo Bradford

Elements with Provence Rose, 2016


51(w) x 76(h) cm
20.08(w) x 30.00(h) inches
Show scale of piece
INFORMATION
C-type lambda print from photogram on Fuji Crystal Archive paper

Edition of 8
PRICE (INCL. VAT)
£ 650.00
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Jo Bradford Biography

Jo Bradford’s cameraless works are essentially photographs of photography, with the photographic means becoming the object and the medium the subject. By using only the primary tools of analogue photography: light and paper, in a sense ‘photography’ itself makes its own self-portraits.

Inspired by "Interaction of Colour", a book on colour theory by Josef Albers, Bradford’s 2016 work ‘Autogenesis’ consists of 15 limited edition photographic prints taken from original luminograms, which she makes by tracing light onto light sensitive paper. Creating luminograms is an extremely time-consuming process that takes immense skill and patience. In a completely black darkroom, masks are used to create areas of shadow, which alters the path of light on its way to the paper during the exposure of brief flashes. In this blind space, white light is refracted into the colours of the rainbow and those colours are captured onto the photographic paper to make the individual works of ‘Autogenesis’.

By working in this way, Bradford is creating pure photographs that don’t represent an external reality. Her non-figurative works subvert the established fidelity of the photograph as a record of an object, referring only to themselves, without seeking to illustrate or represent anything. This type of photography is known as Concrete Photography, which differs from abstract photography in that concrete photography takes an idea and makes it into a reality, whereas abstract photography idealises something that already exists.

Born in Hertfordshire, UK, and raised in South Africa, Jo Bradford has worked with cameraless photographic mediums such as luminograms and photograms in her colour darkroom on Dartmoor, Devon, UK for over a decade. She started showing her photographic work in 2000 and since then has exhibited regularly, selling work both nationally and internationally. After winning two Arts Council Awards, she took a year out to complete her Master’s in Photography: Critical Practice from University College Falmouth in 2004, where she received a rare distinction. She was artist in residence at Plymouth College of Art from October 2010 to June 2011.

Fascinated by geometric abstraction, minimalism and the Bauhaus and De Stijl movements, inspiration comes from the colour field work of Mark Rothko and Barnett Newman, the colour theory work of Josef Albers and the light work of James Turrell.

‘Autogenesis’ is the artist’s first Eyestorm edition, released in March 2016, which was shortly followed by the 'Elements' series later that year and then 'Continuum' in 2017.


Read our article on
Jo Bradford
and 'Investing in Art' here
 
OTHER WORKS BY THIS ARTIST
 
NEWS ARTICLES
ABOUT THIS ARTIST
April 21st 2017
From her darkroom on Dartmoor in Devonshire, this precisionist, recorder of light and self-proclaimed colourist, successfully traps and documents the colours present in rays of light. She directs beaming colour to light-sensitive paper during fleeting exposures made in the pitch black and has honed her cameraless practice over a career spanning two decades.
March 13th 2016
Consisting of 15 individual photographic prints, new artist Jo Bradford’s Eyestorm edition Autogenesis is taken from original cameraless photographs, which are each created by exposing light directly onto photographic paper in the darkroom.
March 9th 2018
This week Eyestorm is excited to announce a new print release from British-born Jo Bradford. Following the release of her 2016 edition ‘Autogenesis’, and more recent 2017 ‘Elements’ and ‘Continuum’ series, Eyestorm now present the first three prints in Bradford’s newest series, Portals - and to celebrate their release, we take a closer look at the unique and fascinating process that Bradford has developed and perfected over her 15 years of practice.
March 10th 2017
Following on from her ‘Autogenesis’ series, released in March 2016, Jo Bradford’s new set of limited edition photographic works, collectively titled ‘Continuum’, sees the cameraless artist pursue her interest in recording pure colour, this time on a larger scale.
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The master of Chinese pop art, Jacky Tsai, has over the past five years become a sought after artist by collectors who love his innovative visual dialogue, between traditional Eastern craft and Western pop art.

If you own a print, which is now sold-out and you wish to sell, we have clients who are looking for select pieces. You can get in touch with us via the Contact page, which you can find here.
 
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