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Lensless Molecular 6, 2012

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Jo Bradford

Lensless Molecular 6, 2012


50(w) x 40(h) cm
20.00(w) x 15.98(h) inches
Show scale of piece
INFORMATION
C-type lambda print from luminogram on Fuji Crystal Archive paper

Edition of 10
PRICE (INCL. VAT)
£ 450.00
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Price of artwork and Shipping Fee are dependent on country of delivery. Shipping fee to United Kingdom is £ 25.00 . [change country here]
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Jo Bradford Biography

Jo Bradford’s cameraless works are essentially photographs of photography, with the photographic means becoming the object and the medium the subject. By using only the primary tools of analogue photography: light and paper, in a sense ‘photography’ itself makes its own self-portraits.

Inspired by "Interaction of Colour", a book on colour theory by Josef Albers, Bradford’s 2016 work ‘Autogenesis’ consists of 15 limited edition photographic prints taken from original luminograms, which she makes by tracing light onto light sensitive paper. Creating luminograms is an extremely time-consuming process that takes immense skill and patience. In a completely black darkroom, masks are used to create areas of shadow, which alters the path of light on its way to the paper during the exposure of brief flashes. In this blind space, white light is refracted into the colours of the rainbow and those colours are captured onto the photographic paper to make the individual works of ‘Autogenesis’.

By working in this way, Bradford is creating pure photographs that don’t represent an external reality. Her non-figurative works subvert the established fidelity of the photograph as a record of an object, referring only to themselves, without seeking to illustrate or represent anything. This type of photography is known as Concrete Photography, which differs from abstract photography in that concrete photography takes an idea and makes it into a reality, whereas abstract photography idealises something that already exists.

Born in Hertfordshire, UK, and raised in South Africa, Jo Bradford has worked with cameraless photographic mediums such as luminograms and photograms in her colour darkroom on Dartmoor, Devon, UK for over a decade. She started showing her photographic work in 2000 and since then has exhibited regularly, selling work both nationally and internationally. After winning two Arts Council Awards, she took a year out to complete her Master’s in Photography: Critical Practice from University College Falmouth in 2004, where she received a rare distinction. She was artist in residence at Plymouth College of Art from October 2010 to June 2011.

Fascinated by geometric abstraction, minimalism and the Bauhaus and De Stijl movements, inspiration comes from the colour field work of Mark Rothko and Barnett Newman, the colour theory work of Josef Albers and the light work of James Turrell.

‘Autogenesis’ is the artist’s first Eyestorm edition, released in March 2016, which was shortly followed by the 'Elements' series later that year and then 'Continuum' in 2017.


Read our article on
Jo Bradford
and 'Investing in Art' here
 
OTHER WORKS BY THIS ARTIST
 
NEWS ARTICLES
ABOUT THIS ARTIST
March 10th 2017
Following on from her ‘Autogenesis’ series, released in March 2016, Jo Bradford’s new set of limited edition photographic works, collectively titled ‘Continuum’, sees the cameraless artist pursue her interest in recording pure colour, this time on a larger scale.
March 13th 2016
Consisting of 15 individual photographic prints, new artist Jo Bradford’s Eyestorm edition Autogenesis is taken from original cameraless photographs, which are each created by exposing light directly onto photographic paper in the darkroom.
April 21st 2017
From her darkroom on Dartmoor in Devonshire, this precisionist, recorder of light and self-proclaimed colourist, successfully traps and documents the colours present in rays of light.
June 8th 2016
Every year in June we team up with Lutyens wine bar and bistro to commission an Eyestorm artist to create work with an association with wine to hang in their Fleet Street premises.
RECENT NEWS ARTICLES
December 15th 2017
Exactly twenty years ago the Royal Academy opened a now infamous exhibition of British contemporary art titled ‘Sensation: Young British Artists from the Saatchi Collection’ - and a sensation it certainly was! An exhibition that triggered industry backlash, public criticism, and mass media attention, ‘Sensation’ also launched the exhibiting artists into the spotlight of the international art world.
December 8th 2017
Miami Basel opened its doors in 2002 following a postponed start in 2001. December was the chosen month as - the thinking went - the winter sun in Miami would draw in the shivering art collectors from the drizzly northern climes.
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Gambling Skull (King of Diamonds)
The master of Chinese pop art, Jacky Tsai, has over the past five years become a sought after artist by collectors who embrace his innovative visual dialogue, between traditional Eastern craft and Western pop art.

If you own a print, which is now sold-out and you wish to sell, we have clients who are looking for select pieces. You can get in touch with us via the Contact page, which you can find here.
 
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