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GRAYSON PERRY
| ‘Love Plane’
by Henrik Riis
STANLEY DONWOOD
| ‘Avert’, ’Borealis’, ‘Realistic’ and ‘Teeth’
by Henrik Riis
LUCIE BENNETT
| ‘Delphine’, ‘Marianne’ and ‘Romy’
by Henrik Riis
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JOSIE MCCOY
| New Unique Canvas and Works on Paper
February 15th 2013
It’s been a while since we’ve featured new work from Josie McCoy, so to have four pieces at once - a stunning oil painting and three original works on paper - is a real treat.
The oil, a good size at 65 x 40 cm, features the gorgeous Elizabeth Taylor as Maggie Pollitt in the 1958 movie ‘Cat on a Hot Tin Roof’. A story very much about deceit and deception, the painting sees Josie blend this away to portray a fresh-faced Pollitt through her distinctive style as she continues to investigate complex characters and deal with the subject of underlying falsehoods and untruths as a running theme in her work.
The watercolours - a somewhat new departure for McCoy - feature well-known scenes from the all time Christmas classic ‘It’s a Wonderful Life’. Much more subtle in their appearance than her canvases, these delicately graceful monochrome works take archetypal scenes and present them as the film’s title would suggest - a picture of the perfect life with love, family unity, beauty and innocence. If you know what the story is about however, you’ll know why Josie has chosen it as a focus; although all finally ends well (of course it does, it’s an American classic), the tale is quite a dark one, essentially about a man’s struggle with depression and suicidal thoughts.
Ever since the ‘Eastenders’ character portraits that formed the basis of her Central St Martin’s final year exhibition, Josie’s work has been a celebration of the virtual, centred around our perceptions, first impressions and facades that often mask a hidden truth. Dreamlike Lynchian characters with their hypnotic gaze draw us in with their perfectly blended beauty, initially masking the gradual emergence of the truth that’s revealed when you learn more about the character’s story.
Difficult to illustrate through the screen, Josie’s works are truly breath-taking and of the highest standard, and some of my favourite in terms of what they stand for.
See the new pieces and all of Josie’s works on Eyestorm
here
.
All four of the new works will be on show at Affordable Art Fair Battersea in March - keep your eye out for free tickets next week.
ANGIE DAVEY
Creative Director
JOSIE MCCOY
 
JOSIE MCCOY
JOSIE MCCOY
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LUCIE BENNETT
| ‘Delphine’, ‘Marianne’ and ‘Romy’
Presenting three French girls into her cast of savvy and confident females, Lucie Bennett introduced the ‘Naked Burgundies’ on a London spring evening. The strong feminine sexuality - one that confronts the audience - is apparent in many of Bennett’s work; at other times her female subjects are portrayed in a private moment of contemplation, seemingly oblivious to the viewer’s gaze. Bennett’s controlled, sensual lines and her conscious use of a refined burgundy palette in the Burgundy nudes, embraces Delphine, Marianne and Romy in flattering warm, dark red hues.
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GRAYSON PERRY
| ‘Love Plane’
Richly decorated clay vases and modern-day chronicles woven into tapestries, Grayson Perry’s visual realms are a dizzying blend of cryptic slogans, bohemian ideals, exotic pornography, and class-based satire. Some works are an illustrative commentary on his life, others capture the lives of his alter-egos or present open-ended delusions. Guided by his intuition, he never followed the tide of his contemporaries in the eighties, instead he chose mediums that came natural to him; a choice that would prove to be a gift and won him the prestigious Turner Prize in 2003. One of the earliest editions, Love Plane, from 2000 is the artist’s spiritual and procreational journey on smooth satin which sits perfectly within the artist’s practice.
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