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PETER DAVIES
The Fun One Hundred, 2001

Edition of 250
25 Artist Proof (APs)

76(w) x 101(h) cm
30.12(w) x 39.84(h) inches
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PETER DAVIES
The Fun One Hundred, 2001

Edition of 250
25 Artist Proof (APs)

76(w) x 101(h) cm
30.12(w) x 39.84(h) inches
ENQUIRY
Art is about speaking to each other and by making an enquiry you can have direct conversation with us about artwork you find interesting.
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The Fun One Hundred, 2001

INFORMATION
76(w) x 101(h) cm
30.12(w) x 39.84(h) inches
Show scale of piece
25 colour screenprint

Image size: 60 x 84cm

Signed and numbered on front.

Edition of 250
PRICE
£ 1,000.00 Available from a private collection
Price of artwork and Shipping Fee are dependent on country of delivery. Shipping fee to United Kingdom is £ 15.00 [change country here]
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Peter Davies Biography

(British, b. 1970)
A brilliant observation of some of the main movers and shakers in the art world (up until 2001 when the piece was made), 'The Fun One Hundred' is a vibrant and excellently crafted 29-colour screenprint based one of the ‘text paintings’ that Peter Davies became known for after they featured in Charles Saatchi’s celebrated ‘Sensation’ exhibition at the Royal Academy in London in 1997. Playful and humorous, this piece illustrates the artist’s attempt to understand art history and contemporary art as he lists well-known figures from Marcel Duchamp and Pablo Picasso to more recent names - some his own contemporaries such as Sarah Lucas and Damien Hirst - and comments on each one with his take on what makes these artists ‘fun’.

“David Hockney: pool attendant”, references the well-known series of swimming pool paintings Hockney made whilst living in California during the 1960s, and “Sol Le Witt: interior decorator”, refers to the geometric wall drawings the American artist was best known for. 'The Fun One Hundred ' is a breath of fresh air amongst highbrow art world opinions that put artists on pedestals as Davies brings them down to a user-friendly level and talks about art as if it were just another commodity. We are all human after all, although as Davies has clarified, some of us are more ‘fun’ than others.

A Goldsmiths graduate, Peter Davies was born in Edinburgh 1970. He shot to fame when he was included in Saatchi's controversial 'Sensations' exhibition at the Royal Academy in 1997. Since then he has exhibited at the Institute of Contemporary Arts and The Saatchi Gallery, and having previously been a Gagosian artist, he is currently represented in London by The Approach. Davies won the John Moores Painting Prize in 2002 and his work is held in the Tate collection. He lives and works in London.
 
Recommended Reading
Categorised and organised, Peter Davies offers a brilliant reflection of the art world and its celebrated contributors. Shared influences and inter-connections between artists are visualised in frivolous hand-drawn flow-charts, whereas other constructs are pooled in colourful charts as ‘the hip’, ‘the hot’ or ‘the fun’; each artist-name dropped onto canvas with a concise light-hearted description next to the titleholder. The only print edition from the series of text-paintings, The Fun One Hundred catalogues a small fortunate group who are evidently more fun than the rest. On this chart, one name is notably absent, Davies himself.
Read more ...
OTHER ARTWORK BY PETER DAVIES
Peter Davies - The Fun One Hundred
 

The Fun One Hundred

Available from a private collection
 
DO YOU OWN A DAMIEN HIRST PRINT EDITION YOU WISH TO SELL?
Valium
With two major exhibitions during the Venice Biennale, 2017 was a year which increased the awareness of Damien Hirst. With Hirst still actively releasing new print editions, many collectors focus on his earlier work from 2000 and before, such as Valium, Lysergic Acid Diethylamide (LSD), Opium, Beautiful, Galactic, Exploding Screenprint (Spin) and Painting-by-Numbers.

If you have one of the above prints that you are potentially interested in selling, please do get in touch with us via the Contact page, which you can find here.
 
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