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Gifted with a scientist’s mind and being an artist at heart, Fabrice Hybert has from the early eighties relentlessly aimed to examine the way we communicate and to mimic the endless linkages between ideas; a theme he refers to as the ‘the enormous reservoir of the possible’. To the artist, collective information and processes lead to outcomes, in the same way that a forest grows not just from a seed, but the unified input of the environment. In the series ‘Prototypes of working objects’, Hybert created bizarre mutations of everyday objects, theatrically tested by his collaborator, Elian Pine Carrington. Three photographic editions were released from ‘Deep Narcissus, POF No.2’.
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