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DORRIS HARON KASCO ALIOUNE BA ALIOUNE BA DORRIS HARON KASCO ALIOUNE BA DORRIS HARON KASCO
Sans titre (Fou nu Dans la Rue, 1989), 2000 Bijoux d'argent (1997), 2001 Mode (1998), 2001 Sans titre (Dreadlocks, 1990), 2000 Le Petit Savon (1997), 2001 Sans titre (Homme avec Bol, 1990), 2000
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MALICK SIDIBE ALIOUNE BA MALICK SIDIBE ALIOUNE BA MALICK SIDIBE MALICK SIDIBE
Untitled IV (Bamako Nights), 2000 La Moustiquaire (1997), 2001 Untitled VII (Bamako Nights), 2000 Djabi (1994), 2001 Untitled III (Bamako Nights), 2000 Untitled VI (Bamako Nights), 2000
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Recommended Reading
To Sophie Calle, there is always a story to be told. It is these stories that, as they unfold, have positioned Calle as one of the most idiosyncratic and influential artists to have emerged in Europe over the past five decades. Her enigmatic narratives have proved compelling to both general and academic audiences alike, whether she showcases the evolvement of dating ads placed in a hunting magazine over a period of 125 years; or simply decides to hang out her personal - and others - emotional dirty laundry. The print editions, ‘Coffee Cup’ and Red Shoe from 2000, represent two of Calle’s photo-text journeys. The latter, exposing details of one last heist with her friend Amelie.
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