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ARTICLES Art Trends
'Art Trends' is an easy-to-use Eyestorm encyclopaedia of the hundreds of articles and most popular works; giving a in-depth insight into the artworks we represent.

We are working on a catalogue raisonné spanning a quarter of a century, showcasing the incredible works released exclusively by Eyestorm between 1999-2024. 		It is the story behind an artwork that often takes it from intriguing to all-absorbing. For five years, Eyestorm have excavated into dusty notes, interviews and odd photographs going back a decade or two. And we are not yet done.

Below are the stories that uncover artists practices, reveal the thoughts behind a print edition - and those little anecdotes that too rarely get told.
Recommended Reading
Richly decorated clay vases and modern-day chronicles woven into tapestries, Grayson Perry’s visual realms are a dizzying blend of cryptic slogans, bohemian ideals, exotic pornography, and class-based satire. Some works are an illustrative commentary on his life, others capture the lives of his alter-egos or present open-ended delusions. Guided by his intuition, he never followed the tide of his contemporaries in the eighties, instead he chose mediums that came natural to him; a choice that would prove to be a gift and won him the prestigious Turner Prize in 2003. One of the earliest editions, Love Plane, from 2000 is the artist’s spiritual and procreational journey on smooth satin which sits perfectly within the artist’s practice.
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Raising awareness about issues of greater importance, Stanley Donwood achieved acclaim as a young graduate through his work; whether it was art, books or music. The early association with the rock band, Radiohead, paved the way for a wider public recognition and has allowed Donwood to stay committed to his activist beliefs, developing a genre of graphic landscape art unique to him, often charged with messages. From the archive of works for the studio album ‘Kid A’, Avert, Borealis, Realistic and Teeth feature amongst Donwood’s earliest print editions; four editions starring at the ‘Cover Up’ exhibition at Eyestorm in the spring of 2007.
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Presenting three French girls into her cast of savvy and confident females, Lucie Bennett introduced the ‘Naked Burgundies’ on a London spring evening. The strong feminine sexuality - one that confronts the audience - is apparent in many of Bennett’s work; at other times her female subjects are portrayed in a private moment of contemplation, seemingly oblivious to the viewer’s gaze. Bennett’s controlled, sensual lines and her conscious use of a refined burgundy palette in the Burgundy nudes, embraces Delphine, Marianne and Romy in flattering warm, dark red hues.
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Recommended Reading
Reflecting on a life experience spanning two uniquely different cultures, Jacky Tsai brings opposing concepts head to head. In his works, the artist fuses traditional Eastern motifs with Western Pop-Art imagery, often exploring old craftmanship before infusing them with his own contemporary and humourous twists. Zebras, cooling fans and space rockets float in landscapes alongside cranes and beds of flowering peonies; and in the two print editions, Stained Glass Skull and Cloisonné Skull, Tsai expands on two crafts of the past, presenting new versions of his famous floral skull.
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An artist among walkers, and a walker among artists, Hamish Fulton is an outlandish and inspiring figure. For several decades he has embarked on short walks and demanding ones of up to 50 miles a day, depending on the terrain, and in all weathers. From Soho to Saskatchewan, from his home in Kent to the peaks of Nepal, he has trekked, hiked and trudged the world in small groups in solitude. His object is to unite two apparently incongruous activities: walking and art. A series of print editions from the turn of the millennium invites the viewer to join Fulton on four walks covering three continents.
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Studying the historic and organic relationship between humans and animals, John Simpson reflects on what at times seems to be a long lost bond. In his drawings, the artist’s references to Classical Antiquity, folklore and beliefs are plentiful; returning to scenes from the tale of Actaeon and Artemis, and other intriguing, mythological encounters. The serigraph, Omega and the Bear, elaborates on a series of lithographs by Edvard Munch, and through his signature monochrome palette, Simpson takes control of the narrative and leads the viewer into a philosophical story of related beings.
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