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Biography
Jenny Saville is regarded as one of the leading figures in the YBA collective in the 1990s. Primarily a painter producing enormous canvases of bodies in an unflinching manner, the limited edition lithograph ‘Separates’, published by Eyestorm in 2001, was the first print the artist ever created, and is a self-portrait with her sister, their heads so close they appear almost conjoined.
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Recommended Reading
Persistently challenging modern-day perceptions of conventional beauty, Jenny Saville offers a new perspective to a story that throughout history was often told by men. The brush strokes may resemble Lucian Freud and the divine fleshy palette of Rubens, but ultimately, these are female portraits - powerful rather than beautiful - and painted by a woman. Early shows, ‘YBA III’ and ‘Sensation’ at the Royal Academy of Arts, placed Saville in the spot light, quickly associating her as one of the young British artists in the nineties; a starting point of a career now in its fourth decade which has reaped numerous achievements for the artist. The first lithographic edition, Separates, follows the characteristics of Saville’s works and palette, although distinctively different in medium and technique.
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