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(British, b. 1938)
Biography
Paul Huxley’s latest prints, ‘Hong (red)’, ‘Huang (yellow)’ and ‘Lang (blue)’ derive from an invitation he accepted from The Red Mansion Foundation to make a trip to China with the view to develop a body of work based on his experiences there. Creatively responding to urban communications there - public notices, street signs and advertising - Huxley found that he viewed the striking Chinese characters not just as message carriers but as abstract form and pattern, which relates to the human stature and human gesture in his previous work. Huxley based the screen prints on the three colours red, yellow and blue - one of the tenets of western modernist painting, which comes out of Mondrian and the de Stijl group. Ironically, classical Chinese painting is always made simply with black ink on white paper.
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Included in collections
Tate, London
Showing 3 of 3 artworks
Recommended Reading
To Sophie Calle, there is always a story to be told. It is these stories that, as they unfold, have positioned Calle as one of the most idiosyncratic and influential artists to have emerged in Europe over the past five decades. Her enigmatic narratives have proved compelling to both general and academic audiences alike, whether she showcases the evolvement of dating ads placed in a hunting magazine over a period of 125 years; or simply decides to hang out her personal - and others - emotional dirty laundry. The print editions, ‘Coffee Cup’ and Red Shoe from 2000, represent two of Calle’s photo-text journeys. The latter, exposing details of one last heist with her friend Amelie.
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