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James Hunter X [34]
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EDITORS CHOICE HIDE
Jacky Tsai - Sanctuary Skull (Lenticular)
Tatiana Gerusova - When the Cat’s Away, Gia Genevieve, NYC, September 2015
Lucie Bennett - Orange Blossom
Jo Bradford - Continuum

James Hunter Biography

James Hunter’s abstract work shares attributes with the genre 'surrealist automatism'; a practice which gained momentum in the sixties by Surrealist artists and poets to express the creative force of the subconscious in art. Often referred to as having no conscious compositional or pictorial outcome, Hunter states that his work was born out of the need for a ‘lack of process’. His pieces are journeys of mark-making across canvas or aluminium, without the presence of pre-conceived form and thought. Read more ...
Recommended Reading
Balancing shapes and colours without the presence of any preconceived form and thought, James Hunter has conquered a practice where the image is gradually built, without consciously planning how one brushstroke will inform the next. A futuristic robot from the fifties, a mechanical turtle or a disco-dancer emerges from the imagery, prompted only in the mind of the viewer trying frantically to come to reason of what the artist is showing us. From a productive period at the beginning of Hunter’s practice, the screenprint Orangeola hints the conclusion of the first part of his career; a period up until 2016 where he formed his abstract approach and distinct style.
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With two major exhibitions during the Venice Biennale, 2017 was a year which increased the awareness of Damien Hirst. With Hirst still actively releasing new print editions, many collectors focus on his earlier work from 2000 and before, such as Valium, Lysergic Acid Diethylamide (LSD), Opium, Beautiful, Galactic, Exploding Screenprint (Spin) and Painting-by-Numbers.

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Perfecting a visual cultural exchange between East and West, Jacky Tsai is today a flourishing artistic talent. The… https://t.co/G8mRuDP9Lt
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