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ALESSANDRO RAHO | SHORTLISTED FOR JOHN MOORES PRIZE

JAMES HUNTER | 'Orangeola'

February 19th 2021

Balancing shapes and colours without the presence of any preconceived form and thought, James Hunter has conquered a practice where the image is gradually built, without consciously planning how one brushstroke will inform the next. A futuristic robot from the fifties, a mechanical turtle or a disco-dancer emerges from the imagery, prompted only in the mind of the viewer trying frantically to come to reason of what the artist is showing us. From a productive period at the beginning of Hunter’s practice, the screenprint Orangeola hints the conclusion of the first part of his career; a period up until 2016 where he formed his abstract approach and distinct style.
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VIC REEVES | ‘Birds and Their Interactions with Humans’

February 05th 2021

World famous on the British Isles for his career in comedy, Vic Reeves has always maintained that first and foremost he is a painter with much of a soft spot for birds. Gifted with an artistic talent and the ability to extract comicality from the world around him, the artist uses his sophisticated sense of humour to bring about smiles whether it is through caricatures of famous people, everyday conundrums or the wildlife on our doorstep. From the artist’s substantial body of works of birds, the eight lithographic prints, Coot, Crested Tit, The Curlew, Goldfinch, Lapwing, Rook, Water Rail and Woodpecker - and four off-the-trail interactions with well-known personalities - give a delightful insight into Reeves’ practice and warm wit.
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SOPHIE SMALLHORN | ’Colour Wheels’

January 21st 2021

Liberating herself from the boundaries of colour theorists, Sophie Smallhorn has embarked on a journey to freely explore the relationship between colours. New harmonic chronicles are created via colourful sculptural works, formed by round cylinders, triangular blocks and square pegs - and works on paper depicting reconstructed colour wheels or patterns of geometrical shaped hues. All in a pursuit to investigate colour through form and volume. It is a continuous and life-long study for Smallhorn, and one that will never conclude. Colour Wheel 5 and Colour Wheel 6 are two screenprint editions from her series of ‘Colour Wheels’; an untraditional inquiry into the interaction between colour and simultaneous contrast.
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BOYD WEBB | ’Billet Doux’, ’Chorea’ and ’Dowse’

January 08th 2021

Through laborious and theatrical studio set-ups, Boyd Webb’s photographic works depict surreal scenes that portray ideas of the real and the imagined. Narrative stills of actors performing a drama in miniature, or still lifes like a true-like bouquet of plastic flowers or popcorn simply lined up looking like a puff of smoke - are all part of the artist’s endeavor to examine various themes of human exploration and the threat of science and technology. Webb’s capacity to engage the viewer and deliver his messages through deception of photography, shortlisted the artist for the Turner Prize in ’88. Three photographic print editions, Billet Doux, Chorea and Dowse, form part of the artist’s work from the late nineties.
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NOMA BAR | ’Full Bodied 1’ and ‘Full Bodied 2’

December 25th 2020

Instantly recognisable, the award-winning works by Noma Bar teases the audience and delivers the core message through arresting clarity and humour. From a primary image, the artist applies positive and negative space, taking the viewer by the hand into multiple layers of the imagery - where one image leads to the next. Conveying complex messages of public matters, politics or simply perplexing words of double meaning, Bar is not afraid to be thought-provoking, however, he always stays on the right side of appropriateness. Released in 2014, Full Bodied 1 and Full Bodied 2 represent a part of Bar’s fun-loving works.
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Vic Reeves

Goldfinch, 2006

Rook, 2006

Rudolf Nureyev, 2006

The Curlew, 2006

$ 345.00

$ 415.00

$ 345.00

COLLECT

LUCIE BENNETT | Investing in Art

Lucie Bennett has established herself as one of Eyestorm’s most celebrated and collected artists of the last decade, gaining her a huge following of admirers. Her signature style, an agile line delivered with confidence and economy, is executed through a comprehensive range of different media including quality limited edition screenprints, original paintings, neon light installations, card collage and acrylic-plastic.

She has long been admired for dealing with issues of female sexuality and identity, staying closely to representations of the fairer sex in her all of her work.
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by Carys Lake-edwards

POPULAR ARTWORK

Damien Hirst

Valium, 2000

$ 24,140.00Available from a private collection

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POPULAR ARTWORK

Damien Hirst

Lucie Bennett

Carne Griffiths

Jacky Tsai

Lysergic Acid Diethylamide (LSD), 2000

Green Felt Tip Girl, 2005

The Escape, 2014

Vermilion Garden, 2013

$ 19,170.00

$ 3,310.00

$ 575.00

$ 3,585.00

Available from a private collection

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Henrik Simonsen

Lucie Bennett

Joel Tettamanti

Jacky Tsai

Red and Blue, 2011

Pink Knickers, 2005

Conn, Switzerland, 2008

The Erotic Dream of the Red Chamber, 2016

$ 3,035.00

$ 4,485.00

$ 1,140.00

$ 2,240.00

Available from a private collection

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INTEREST IN EARLY PRINT EDITIONS BY LUCIE BENNETT

For more than a decade Lucie Bennett has been seducing viewers with her silhouette line drawings of haunting sirens, alluring pin-ups and supernatural nymphs. Her print editions from 2005 - 2012 are increasingly being requested by collectors.

If you own a print, such as Pink Knickers, Green Felt Tip Girl or Red Felt Tip Girl and you wish to sell, we have clients who are looking for select pieces. You can get in touch with us via the Contact page, which you can find here.










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